| “I’m sorry, really sorry,” he muttered. “She’s a ruined woman. Mad! mad! However, the prince is not for Nastasia Philipovna now,--perhaps it’s as well.” |
| “Oh, not cold--believe an old man--not from a cold, but from grief for her prince. Oh--your mother, your mother! heigh-ho! Youth--youth! Your father and I--old friends as we were--nearly murdered each other for her sake.” |
“So, so--the son of my old, I may say my childhood’s friend, Nicolai Petrovitch.”
It was about Easter, when, taking advantage of a momentary tête-à-tête Colia handed Aglaya a letter, remarking that he “had orders to deliver it to her privately.” She stared at him in amazement, but he did not wait to hear what she had to say, and went out. Aglaya broke the seal, and read as follows:
VII. “You are slandering them, Lebedeff,” said he, smiling.| The prince was away for six months, and even those who were most interested in his destiny were able to pick up very little news about him all that while. True, certain rumours did reach his friends, but these were both strange and rare, and each one contradicted the last. |
“And?”
“I don’t know whether I did or not,” said Rogojin, drily, seeming to be a little astonished at the question, and not quite taking it in.
The man evidently could not take in the idea of such a shabby-looking visitor, and had decided to ask once more.
“Well, one night in the Shestilavochnaya, a man passed me with a paper parcel under his arm. I did not take stock of him very carefully, but he seemed to be dressed in some shabby summer dust-coat, much too light for the season. When he was opposite the lamp-post, some ten yards away, I observed something fall out of his pocket. I hurried forward to pick it up, just in time, for an old wretch in a long kaftan rushed up too. He did not dispute the matter, but glanced at what was in my hand and disappeared.
| “I know that, father. Look here, dear old father, come back home! Let’s go back to mother. Look, she ran after us when we came out. What have you stopped her for, just as though you didn’t take in what I said? Why are you crying, father?” |
Gania stood at his table in the far corner of the room, turning over papers.
| The general promptly made his escape, and Lizabetha Prokofievna after a while grew calm again. That evening, of course, she would be unusually attentive, gentle, and respectful to her “gross and churlish” husband, her “dear, kind Ivan Fedorovitch,” for she had never left off loving him. She was even still “in love” with him. He knew it well, and for his part held her in the greatest esteem. |
| “Oh, I don’t know about that! I’ve heard much that is good about our legal administration, too. There is no capital punishment here for one thing.” |
| “Yes, sir--on that very spot.” The prince gazed strangely at Lebedeff. “And the general?” he asked, abruptly. |
| “What, has she been here?” asked the prince with curiosity. |
At this moment Vera came up to Lizabetha Prokofievna, carrying several large and beautifully bound books, apparently quite new.
“You don’t know all, you see; I tell you there are things--and besides, I’m sure that she is persuaded that I love her to distraction, and I give you my word I have a strong suspicion that she loves me, too--in her own way, of course. She thinks she will be able to make a sort of slave of me all my life; but I shall prepare a little surprise for her. I don’t know whether I ought to be confidential with you, prince; but, I assure you, you are the only decent fellow I have come across. I have not spoken so sincerely as I am doing at this moment for years. There are uncommonly few honest people about, prince; there isn’t one honester than Ptitsin, he’s the best of the lot. Are you laughing? You don’t know, perhaps, that blackguards like honest people, and being one myself I like you. _Why_ am I a blackguard? Tell me honestly, now. They all call me a blackguard because of her, and I have got into the way of thinking myself one. That’s what is so bad about the business.”| But Lizabetha Prokofievna knew perfectly well how unnecessary was the last question. She set a high value on Alexandra Ivanovna’s judgment, and often consulted her in difficulties; but that she was a ‘wet hen’ she never for a moment doubted. “She is so calm; nothing rouses her--though wet hens are not always calm! Oh! I can’t understand it!” Her eldest daughter inspired Lizabetha with a kind of puzzled compassion. She did not feel this in Aglaya’s case, though the latter was her idol. It may be said that these outbursts and epithets, such as “wet hen” (in which the maternal solicitude usually showed itself), only made Alexandra laugh. Sometimes the most trivial thing annoyed Mrs. Epanchin, and drove her into a frenzy. For instance, Alexandra Ivanovna liked to sleep late, and was always dreaming, though her dreams had the peculiarity of being as innocent and naive as those of a child of seven; and the very innocence of her dreams annoyed her mother. Once she dreamt of nine hens, and this was the cause of quite a serious quarrel--no one knew why. Another time she had--it was most unusual--a dream with a spark of originality in it. She dreamt of a monk in a dark room, into which she was too frightened to go. Adelaida and Aglaya rushed off with shrieks of laughter to relate this to their mother, but she was quite angry, and said her daughters were all fools. |
| “Is it Rogojin?” |
“You are altogether perfection; even your pallor and thinness are perfect; one could not wish you otherwise. I did so wish to come and see you. I--forgive me, please--”
The reading of these letters produced some such effect upon the prince. He felt, before he even opened the envelopes, that the very fact of their existence was like a nightmare. How could she ever have made up her mind to write to her? he asked himself. How could she write about that at all? And how could such a wild idea have entered her head? And yet, the strangest part of the matter was, that while he read the letters, he himself almost believed in the possibility, and even in the justification, of the idea he had thought so wild. Of course it was a mad dream, a nightmare, and yet there was something cruelly real about it. For hours he was haunted by what he had read. Several passages returned again and again to his mind, and as he brooded over them, he felt inclined to say to himself that he had foreseen and known all that was written here; it even seemed to him that he had read the whole of this some time or other, long, long ago; and all that had tormented and grieved him up to now was to be found in these old, long since read, letters.
“What letter do you mean she returned unopened?”
“Some of us laughed at the subject; some liked it; but she declared that, in order to make a picture of the gentleman, she must first see his face. We then began to think over all our friends’ faces to see if any of them would do, and none suited us, and so the matter stood; that’s all. I don’t know why Nicolai Ardalionovitch has brought up the joke now. What was appropriate and funny then, has quite lost all interest by this time.”| “At all events, the fact remained--a month of life and no more! That he is right in his estimation I am absolutely persuaded. |
“Well--how am I to explain? He was very anxious that we should all come around him, and say we were so sorry for him, and that we loved him very much, and all that; and that we hoped he wouldn’t kill himself, but remain alive. Very likely he thought more of you than the rest of us, because he mentioned you at such a moment, though perhaps he did not know himself that he had you in his mind’s eye.”
The prince glanced at it, but took no further notice. He moved on hastily, as though anxious to get out of the house. But Rogojin suddenly stopped underneath the picture.
“About twenty paces from the scaffold, where he had stood to hear the sentence, were three posts, fixed in the ground, to which to fasten the criminals (of whom there were several). The first three criminals were taken to the posts, dressed in long white tunics, with white caps drawn over their faces, so that they could not see the rifles pointed at them. Then a group of soldiers took their stand opposite to each post. My friend was the eighth on the list, and therefore he would have been among the third lot to go up. A priest went about among them with a cross: and there was about five minutes of time left for him to live.
| “And you! You are nothing more than a fool, if you’ll excuse me! Well! well! you know that yourself, I expect,” said the lady indignantly. |
“His only reply to this was a sour grimace. He rose and looked for my cap, and placed it in my hand, and led me out of the house--that dreadful gloomy house of his--to all appearances, of course, as though I were leaving of my own accord, and he were simply seeing me to the door out of politeness. His house impressed me much; it is like a burial-ground, he seems to like it, which is, however, quite natural. Such a full life as he leads is so overflowing with absorbing interests that he has little need of assistance from his surroundings.
“Not in the least--not in the least, I assure you. On the contrary, I am listening most attentively, and am anxious to guess--”
The impatience of Lizabetha Prokofievna “to get things settled” explained a good deal, as well as the anxiety of both parents for the happiness of their beloved daughter. Besides, Princess Bielokonski was going away soon, and they hoped that she would take an interest in the prince. They were anxious that he should enter society under the auspices of this lady, whose patronage was the best of recommendations for any young man.
| “Gania and Varia and Ptitsin are a worthless lot! I shall not quarrel with them; but from this moment our feet shall not travel the same road. Oh, prince, I have felt much that is quite new to me since yesterday! It is a lesson for me. I shall now consider my mother as entirely my responsibility; though she may be safe enough with Varia. Still, meat and drink is not everything.” |
| “Of course it is all, my friend. I don’t doubt you for a moment,” said Lizabetha Prokofievna with dignity. |
“Her relations had all died off--her husband was dead and buried forty years since; and a niece, who had lived with her and bullied her up to three years ago, was dead too; so that she was quite alone.
“There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!”“As it will be absolutely true, without a touch of falsehood, I am curious to see what impression it will make upon me myself at the moment when I read it out. This is my ‘last and solemn’--but why need I call it that? There is no question about the truth of it, for it is not worthwhile lying for a fortnight; a fortnight of life is not itself worth having, which is a proof that I write nothing here but pure truth.
| And Rogojin burst out laughing, this time with unconcealed malice, as though he were glad that he had been able to find an opportunity for giving vent to it. |
This evening there were no strangers present--no one but the immediate members of the family. Prince S. was still in town, occupied with the affairs of Evgenie Pavlovitch’s uncle.
The prince walked along, musing. He did not like his commission, and disliked the idea of Gania sending a note to Aglaya at all; but when he was two rooms distant from the drawing-room, where they all were, he stopped as though recalling something; went to the window, nearer the light, and began to examine the portrait in his hand.
| “At the first glimpse of the rising sun, prince, I will go to bed. I told you I would, word of honour! You shall see!” cried Hippolyte. “You think I’m not capable of opening this packet, do you?” He glared defiantly round at the audience in general. |
| “The good of it! Well, I want just to see a ray of the sun,” said Hippolyte. “Can one drink to the sun’s health, do you think, prince?” |
| “Bravo, prince!” cried Ferdishenko, delighted. |
| “No one ever tormented you on the subject,” murmured Adelaida, aghast. |
| The prince seemed surprised that he should have been addressed at all; he reflected a moment, but did not seem to take in what had been said to him; at all events, he did not answer. But observing that she and the others had begun to laugh, he too opened his mouth and laughed with them. |
After a formal introduction by Gania (who greeted his mother very shortly, took no notice of his sister, and immediately marched Ptitsin out of the room), Nina Alexandrovna addressed a few kind words to the prince and forthwith requested Colia, who had just appeared at the door, to show him to the “middle room.”
“There, look at her now--Ivan Fedorovitch! Here she is--all of her! This is our _real_ Aglaya at last!” said Lizabetha Prokofievna. “The face was depicted as though still suffering; as though the body, only just dead, was still almost quivering with agony. The picture was one of pure nature, for the face was not beautified by the artist, but was left as it would naturally be, whosoever the sufferer, after such anguish. The prince sat down on a chair, and watched him in alarm. Half an hour went by. On the particular morning on which our story has opened, the family had assembled in the dining-room, and were waiting the general’s appearance, the latter having promised to come this day. If he had been one moment late, he would have been sent for at once; but he turned up punctually.