“Where?”
“And you’ll never reproach me with it?”
“Yes, I brought him down from town just after you had left the house.”
| “What do I care if you are base or not? He thinks he has only to say, ‘I am base,’ and there is an end of it. As to you, prince, are you not ashamed?--I repeat, are you not ashamed, to mix with such riff-raff? I will never forgive you!” |
“What? Didn’t exist?” cried the poor general, and a deep blush suffused his face.
The prince replied that he saw it.
Nearly everyone observed the little band advancing, and all pretended not to see or notice them, except a few young fellows who exchanged glances and smiled, saying something to one another in whispers.
Of course, the last argument was the chief one. The maternal heart trembled with indignation to think of such an absurdity, although in that heart there rose another voice, which said: “And _why_ is not the prince such a husband as you would have desired for Aglaya?” It was this voice which annoyed Lizabetha Prokofievna more than anything else.
“I _do_ know all!” she cried, with another burst of indignation. “You were living in the same house as that horrible woman with whom you ran away.” She did not blush as she said this; on the contrary, she grew pale, and started from her seat, apparently oblivious of what she did, and immediately sat down again. Her lip continued to tremble for a long time.
Nastasia Philipovna seized the packet of bank-notes.
The prince was a whole hour soothing and comforting her, and left her, at length, pacified and composed. He sent another messenger during the night to inquire after her, and two more next morning. The last brought back a message that Nastasia was surrounded by a whole army of dressmakers and maids, and was as happy and as busy as such a beauty should be on her wedding morning, and that there was not a vestige of yesterday’s agitation remaining. The message concluded with the news that at the moment of the bearer’s departure there was a great confabulation in progress as to which diamonds were to be worn, and how.
“Well, I went homewards, and near the hotel I came across a poor woman, carrying a child--a baby of some six weeks old. The mother was quite a girl herself. The baby was smiling up at her, for the first time in its life, just at that moment; and while I watched the woman she suddenly crossed herself, oh, so devoutly! ‘What is it, my good woman?’ I asked her. (I was never but asking questions then!) ‘Exactly as is a mother’s joy when her baby smiles for the first time into her eyes, so is God’s joy when one of His children turns and prays to Him for the first time, with all his heart!’ This is what that poor woman said to me, almost word for word; and such a deep, refined, truly religious thought it was--a thought in which the whole essence of Christianity was expressed in one flash--that is, the recognition of God as our Father, and of God’s joy in men as His own children, which is the chief idea of Christ. She was a simple country-woman--a mother, it’s true--and perhaps, who knows, she may have been the wife of the drunken soldier!
| She took her glass, and vowed she would empty it three times that evening. She was hysterical, and laughed aloud every other minute with no apparent reason--the next moment relapsing into gloom and thoughtfulness. |
| “Oh! so he kept his word--there’s a man for you! Well, sit down, please--take that chair. I shall have something to say to you presently. Who are all these with you? The same party? Let them come in and sit down. There’s room on that sofa, there are some chairs and there’s another sofa! Well, why don’t they sit down?” |
“My dear fellow!” cried Prince S., with some annoyance, “don’t you see that he is chaffing you? He is simply laughing at you, and wants to make game of you.”
“Oho! ho, ho, ho!” cried Ferdishenko. “_Now_ then, prince! My word, what things I would say if I had such a chance as that! My goodness, prince--go on!”
The prince tried to speak, but could not form his words; a great weight seemed to lie upon his breast and suffocate him.
| Indeed, Gania did not look in the least like himself. His bewilderment and his alarmed perplexity passed off, however, and his lips now twitched with rage as he continued to stare evilly at his laughing guest, while his countenance became absolutely livid. |
Aglaya suddenly burst out laughing, as simply as a child.
| “‘In Moscow,’ I said, ‘there was an old state counsellor, a civil general, who, all his life, had been in the habit of visiting the prisons and speaking to criminals. Every party of convicts on its way to Siberia knew beforehand that on the Vorobeef Hills the “old general” would pay them a visit. He did all he undertook seriously and devotedly. He would walk down the rows of the unfortunate prisoners, stop before each individual and ask after his needs--he never sermonized them; he spoke kindly to them--he gave them money; he brought them all sorts of necessaries for the journey, and gave them devotional books, choosing those who could read, under the firm conviction that they would read to those who could not, as they went along. |
“That seems to me all the more reason for sparing her,” said the prince timidly.
“What, receive him! Now, at once?” asked Mrs. Epanchin, gazing vaguely at her husband as he stood fidgeting before her.
“There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!”
“H’m; I thought differently. You see, we were talking over this period of history. I was criticizing a current report of something which then happened, and having been myself an eye-witness of the occurrence--you are smiling, prince--you are looking at my face as if--”
“Where’s your brother?”
| Nastasia Philipovna gazed at him with a haughty, ironical expression of face; but when she glanced at Nina Alexandrovna and Varia, and from them to Gania, she changed her tone, all of a sudden. |
| “On the table, as in the other room, burned a tallow candle-end in an iron candlestick; and on the bed there whined a baby of scarcely three weeks old. A pale-looking woman was dressing the child, probably the mother; she looked as though she had not as yet got over the trouble of childbirth, she seemed so weak and was so carelessly dressed. Another child, a little girl of about three years old, lay on the sofa, covered over with what looked like a man’s old dress-coat. |
“Yes--yes, quite so; you are quite right. I wished to see Aglaya Ivanovna, you know!” said the prince, nodding his head.
“Just as before, sir, just as before! To a certain person, and from a certain hand. The individual’s name who wrote the letter is to be represented by the letter A.--”
“Allow me to speak, please, mamma,” said Aglaya. “I think I ought to have something to say in the matter. An important moment of my destiny is about to be decided”--(this is how Aglaya expressed herself)--“and I wish to find out how the matter stands, for my own sake, though I am glad you are all here. Allow me to ask you, prince, since you cherish those intentions, how you consider that you will provide for my happiness?”
“No, I don’t think so. I don’t think I should stay even if they were to invite me. I’ve simply come to make their acquaintance, and nothing more.”
The prince observed that he was trembling all over.
| “Do you cut your pages with it, or what?” asked Muishkin, still rather absently, as though unable to throw off a deep preoccupation into which the conversation had thrown him. |
“Well!” said the latter, at last rousing himself. “Ah! yes! You know why I came, Lebedeff. Your letter brought me. Speak! Tell me all about it.”
| “Poodle? What was that? And in a railway carriage? Dear me,” said Nastasia, thoughtfully, as though trying to recall something to mind. |
| “I know that there were just as many, and just as terrible, crimes before our times. Not long since I visited a convict prison and made acquaintance with some of the criminals. There were some even more dreadful criminals than this one we have been speaking of--men who have murdered a dozen of their fellow-creatures, and feel no remorse whatever. But what I especially noticed was this, that the very most hopeless and remorseless murderer--however hardened a criminal he may be--still _knows that he is a criminal_; that is, he is conscious that he has acted wickedly, though he may feel no remorse whatever. And they were all like this. Those of whom Evgenie Pavlovitch has spoken, do not admit that they are criminals at all; they think they had a right to do what they did, and that they were even doing a good deed, perhaps. I consider there is the greatest difference between the two cases. And recollect--it was a _youth_, at the particular age which is most helplessly susceptible to the distortion of ideas!” |
“You spoke of a meeting with Nastasia Philipovna,” he said at last, in a low voice.
“Has she never laughed at you?”
| “But if you... I could...” stammered Lebedeff, “if... if you please, prince, tell you something on the subject which would interest you, I am sure.” He spoke in wheedling tones, and wriggled as he walked along. |
| Lebedeff really had been busy for some little while; but, as usual, his plans had become too complex to succeed, through sheer excess of ardour. When he came to the prince--the very day before the wedding--to confess (for he always confessed to the persons against whom he intrigued, especially when the plan failed), he informed our hero that he himself was a born Talleyrand, but for some unknown reason had become simple Lebedeff. He then proceeded to explain his whole game to the prince, interesting the latter exceedingly. |
“Listen to me, Keller,” returned the prince. “If I were in your place, I should not acknowledge that unless it were absolutely necessary for some reason. But perhaps you are making yourself out to be worse than you are, purposely?”
“Seeking?”
“Is what today?” cried the former. Then suddenly recollecting himself, he turned sharply on the prince. “Oh,” he growled, “I see, you are here, that explains it! Is it a disease, or what, that you can’t hold your tongue? Look here, understand once for all, prince--”
PART IV
| “With you and me there would have been a scene. We should have shouted and fought, and called in the police. But he has simply made some new friends--and such friends, too! I know them!” |
As the prince opened his mouth to answer, he was interrupted by the girl, whose sweet face wore an expression of absolute frankness.
“I said, and I have repeated it over and over again,” shouted Burdovsky furiously, “that I did not want the money. I will not take it... why...I will not... I am going away!”
| “This is most interesting!” observed Evgenie Pavlovitch. |
| The announcement of his name gave rise to some surprise and to some smiles, especially when it became evident, from Nastasia’s astonished look, that she had not thought of inviting him. But her astonishment once over, Nastasia showed such satisfaction that all prepared to greet the prince with cordial smiles of welcome. |
“Why, what an idea!” he said. “I didn’t mean to ask you any of these questions; I was thinking of something quite different! But my head is heavy, and I seem so absent-minded nowadays! Well, good-bye--I can’t remember what I wanted to say--good-bye!”
“Nothing unexpected. I discovered that it’s all true. My husband was wiser than either of us. Just as he suspected from the beginning, so it has fallen out. Where is he?”
| “He really is very charming,” whispered the old dignitary to Ivan Petrovitch. |
| “Oh! I _know_ you haven’t read it, and that you could never be that man’s accomplice. Read it, I wish you to read it.” |
“How was I to tell?” replied Rogojin, with an angry laugh. “I did my best to catch her tripping in Moscow, but did not succeed. However, I caught hold of her one day, and said: ‘You are engaged to be married into a respectable family, and do you know what sort of a woman you are? _That’s_ the sort of woman you are,’ I said.”
After a formal introduction by Gania (who greeted his mother very shortly, took no notice of his sister, and immediately marched Ptitsin out of the room), Nina Alexandrovna addressed a few kind words to the prince and forthwith requested Colia, who had just appeared at the door, to show him to the “middle room.”
“I asked how it came about that the tureen had been left. Nikifor explained that the old lady refused to give it up, because, she said, we had broken her bowl, and she must have our tureen in place of it; she had declared that I had so arranged the matter with herself.
Evgenie Pavlovitch fell back a step in astonishment. For one moment it was all he could do to restrain himself from bursting out laughing; but, looking closer, he observed that the prince did not seem to be quite himself; at all events, he was in a very curious state.
“On the table, as in the other room, burned a tallow candle-end in an iron candlestick; and on the bed there whined a baby of scarcely three weeks old. A pale-looking woman was dressing the child, probably the mother; she looked as though she had not as yet got over the trouble of childbirth, she seemed so weak and was so carelessly dressed. Another child, a little girl of about three years old, lay on the sofa, covered over with what looked like a man’s old dress-coat.
“It is not right! Half an hour ago, prince, it was agreed among us that no one should interrupt, no one should laugh, that each person was to express his thoughts freely; and then at the end, when everyone had spoken, objections might be made, even by the atheists. We chose the general as president. Now without some such rule and order, anyone might be shouted down, even in the loftiest and most profound thought....”
All present concentrated their attention upon Ptitsin, reading the prince’s letter. The general curiosity had received a new fillip. Ferdishenko could not sit still. Rogojin fixed his eyes first on the prince, and then on Ptitsin, and then back again; he was extremely agitated. Lebedeff could not stand it. He crept up and read over Ptitsin’s shoulder, with the air of a naughty boy who expects a box on the ear every moment for his indiscretion.
| “Tell me about it,” said Aglaya. |
Little by little the family gathered together upstairs in Lizabetha Prokofievna’s apartments, and Prince Muishkin found himself alone on the verandah when he arrived. He settled himself in a corner and sat waiting, though he knew not what he expected. It never struck him that he had better go away, with all this disturbance in the house. He seemed to have forgotten all the world, and to be ready to sit on where he was for years on end. From upstairs he caught sounds of excited conversation every now and then.
The prince seemed to be considering the suggestion.
Gania--confused, annoyed, furious--took up his portrait, and turned to the prince with a nasty smile on his face.
| “N-no thanks, I don’t know--” |
“Don’t, Colia,--what is the use of saying all that?” cried the prince, rising and taking his hat.
“But is there capital punishment where you were?” asked Adelaida.
“Wasn’t she joking? She was speaking sarcastically!”
| “Bravo! That’s frank, at any rate!” shouted Ferdishenko, and there was general laughter. |
“Nastasia Philipovna!” began the general, reproachfully. He was beginning to put his own interpretation on the affair.
“Nor do I believe it, in spite of the proofs. The girl is self-willed and fantastic, and insane! She’s wicked, wicked! I’ll repeat it for a thousand years that she’s wicked; they _all_ are, just now, all my daughters, even that ‘wet hen’ Alexandra. And yet I don’t believe it. Because I don’t choose to believe it, perhaps; but I don’t. Why haven’t you been?” she turned on the prince suddenly. “Why didn’t you come near us all these three days, eh?”
But Vera, simple-minded little girl that she was (just like a boy, in fact), here became dreadfully confused, of a sudden, and ran hastily out of the room, laughing and blushing.
“I am only repeating your own exclamation!” said Colia. “A month ago you were turning over the pages of your Don Quixote, and suddenly called out ‘there is nothing better than the poor knight.’ I don’t know whom you were referring to, of course, whether to Don Quixote, or Evgenie Pavlovitch, or someone else, but you certainly said these words, and afterwards there was a long conversation...”