“I know you asked. I told them that she had called in for ten minutes, and then gone straight back to Pavlofsk. No one knows she slept here. Last night we came in just as carefully as you and I did today. I thought as I came along with her that she would not like to creep in so secretly, but I was quite wrong. She whispered, and walked on tip-toe; she carried her skirt over her arm, so that it shouldn’t rustle, and she held up her finger at me on the stairs, so that I shouldn’t make a noise--it was you she was afraid of. She was mad with terror in the train, and she begged me to bring her to this house. I thought of taking her to her rooms at the Ismailofsky barracks first; but she wouldn’t hear of it. She said, ‘No--not there; he’ll find me out at once there. Take me to your own house, where you can hide me, and tomorrow we’ll set off for Moscow.’ Thence she would go to Orel, she said. When she went to bed, she was still talking about going to Orel.”

He shuddered and stopped; she seized his hand and pressed it frenziedly.

Her serious air, however, during this conversation had surprised him considerably. He had a feeling that he ought to be asking her something, that there was something he wanted to find out far more important than how to load a pistol; but his thoughts had all scattered, and he was only aware that she was sitting by him, and talking to him, and that he was looking at her; as to what she happened to be saying to him, that did not matter in the least.

“Bachmatoff saw me home after the dinner and we crossed the Nicolai bridge. We were both a little drunk. He told me of his joy, the joyful feeling of having done a good action; he said that it was all thanks to myself that he could feel this satisfaction; and held forth about the foolishness of the theory that individual charity is useless.

“Oh, it’s too horrible!” cried poor Colia, sobbing with shame and annoyance.

“When I arose to lock the door after him, I suddenly called to mind a picture I had noticed at Rogojin’s in one of his gloomiest rooms, over the door. He had pointed it out to me himself as we walked past it, and I believe I must have stood a good five minutes in front of it. There was nothing artistic about it, but the picture made me feel strangely uncomfortable. It represented Christ just taken down from the cross. It seems to me that painters as a rule represent the Saviour, both on the cross and taken down from it, with great beauty still upon His face. This marvellous beauty they strive to preserve even in His moments of deepest agony and passion. But there was no such beauty in Rogojin’s picture. This was the presentment of a poor mangled body which had evidently suffered unbearable anguish even before its crucifixion, full of wounds and bruises, marks of the violence of soldiers and people, and of the bitterness of the moment when He had fallen with the cross--all this combined with the anguish of the actual crucifixion.

“Excuse me,” said the red-nosed man to the young fellow with the bundle, rather suddenly; “whom have I the honour to be talking to?”
“That they do _not_ know about it in the house is quite certain, the rest of them, I mean; but you have given me an idea. Aglaya perhaps knows. She alone, though, if anyone; for the sisters were as astonished as I was to hear her speak so seriously. If she knows, the prince must have told her.”
Keller, for instance, had run into the house three times of late, “just for a moment,” and each time with the air of desiring to offer his congratulations. Colia, too, in spite of his melancholy, had once or twice begun sentences in much the same strain of suggestion or insinuation.
Just before he dozed off, the idea of Hippolyte murdering ten men flitted through his brain, and he smiled at the absurdity of such a thought.
The announcement of his name gave rise to some surprise and to some smiles, especially when it became evident, from Nastasia’s astonished look, that she had not thought of inviting him. But her astonishment once over, Nastasia showed such satisfaction that all prepared to greet the prince with cordial smiles of welcome.

“Well, leave your hotel at once and come here; then we can all go together to Pavlofsk the day after tomorrow.”

“What do you mean?” asked the visitor.
“What! Pleased with all that nonsense! Why, cannot you see that they are all infatuated with pride and vanity?”
“I seemed to know it--I felt it, when I was coming back to Petersburg,” continued the prince, “I did not want to come, I wished to forget all this, to uproot it from my memory altogether! Well, good-bye--what is the matter?”
“Oh, but I know nothing about painting. It seems to me one only has to look, and paint what one sees.”
“‘O, puissent voir longtemps votre beauté sacrée Tant d’amis, sourds à mes adieux! Qu’ils meurent pleins de jours, que leur mort soit pleurée, Qu’un ami leur ferme les yeux!’
“Gavrila Ardalionovitch begged me to give you this,” he said, handing her the note.

“The thought steps in, whether one likes it or no, that death is so terrible and so powerful, that even He who conquered it in His miracles during life was unable to triumph over it at the last. He who called to Lazarus, ‘Lazarus, come forth!’ and the dead man lived--He was now Himself a prey to nature and death. Nature appears to one, looking at this picture, as some huge, implacable, dumb monster; or still better--a stranger simile--some enormous mechanical engine of modern days which has seized and crushed and swallowed up a great and invaluable Being, a Being worth nature and all her laws, worth the whole earth, which was perhaps created merely for the sake of the advent of that Being.

“No, a verbal message; she had hardly time even for that. She begs you earnestly not to go out of the house for a single moment all to-day, until seven o’clock in the evening. It may have been nine; I didn’t quite hear.”

“Not at all!” said the prince, blushing. “I was only going to say that you--not that you could not be like Gleboff--but that you would have been more like--”

“What children we are still, Colia!” he cried at last, enthusiastically,--“and how delightful it is that we can be children still!”

“Came where? What do you mean?” asked Rogojin, amazed. But Hippolyte, panting and choking with excitement, interrupted him violently.

“Here’s another alternative for me,” said Nastasia, turning once more to the actress; “and he does it out of pure kindness of heart. I know him. I’ve found a benefactor. Perhaps, though, what they say about him may be true--that he’s an--we know what. And what shall you live on, if you are really so madly in love with Rogojin’s mistress, that you are ready to marry her--eh?”

“And you won’t reproach me for all these rude words of mine--some day--afterwards?” she asked, of a sudden.
“I assure you of it,” laughed Ivan Petrovitch, gazing amusedly at the prince.
“But why talk now?” replied Lizabetha Prokofievna, more and more alarmed; “You are quite feverish. Just now you would not stop shouting, and now you can hardly breathe. You are gasping.”

“I do not despise toil; I despise you when you speak of toil.”

And so they parted.
“That is--er--about--what theft?”
“I know this much, that you did not go out to honest work, but went away with a rich man, Rogojin, in order to pose as a fallen angel. I don’t wonder that Totski was nearly driven to suicide by such a fallen angel.” Colia had no choice but to obey. With crimson cheeks he read on unsteadily:

“I see for myself that it is so--and I shall tell _her_. But you are not quite yourself, Lef Nicolaievitch.”

III.

Tears were trembling on her white cheek. She beckoned him, but placed her finger on her lip as though to warn him that he must follow her very quietly. His heart froze within him. He wouldn’t, he _couldn’t_ confess her to be a criminal, and yet he felt that something dreadful would happen the next moment, something which would blast his whole life.

Gania having once descended to abuse, and receiving no check, very soon knew no bounds or limit to his licence, as is often the way in such cases. His rage so blinded him that he had not even been able to detect that this “idiot,” whom he was abusing to such an extent, was very far from being slow of comprehension, and had a way of taking in an impression, and afterwards giving it out again, which was very un-idiotic indeed. But something a little unforeseen now occurred.
“No, not a bit of it,” said Ivan Petrovitch, with a sarcastic laugh.
In the manner of one with long hours before him, he began his history; but after a few incoherent words he jumped to the conclusion, which was that “having ceased to believe in God Almighty, he had lost every vestige of morality, and had gone so far as to commit a theft.” “Could you imagine such a thing?” said he.

“I thought I spat on the ground and left him in disgust. Colia told me, when I quite recovered my senses, that I had not been asleep for a moment, but that I had spoken to him about Surikoff the whole while.

“Then I read it,” said Hippolyte, in the tone of one bowing to the fiat of destiny. He could not have grown paler if a verdict of death had suddenly been presented to him.
“Judging from the fact that the prince blushed at this innocent joke, like a young girl, I should think that he must, as an honourable man, harbour the noblest intentions,” said the old toothless schoolmaster, most unexpectedly; he had not so much as opened his mouth before. This remark provoked general mirth, and the old fellow himself laughed loudest of the lot, but ended with a stupendous fit of coughing.
“Oho, how careful one has to be with you, prince! Haven’t you put a drop of poison in that remark now, eh? By the way--ha, ha, ha!--I forgot to ask, was I right in believing that you were a good deal struck yourself with Nastasia Philipovna.”
“No; Constant was away then, taking a letter to the Empress Josephine. Instead of him there were always a couple of orderlies--and that was all, excepting, of course, the generals and marshals whom Napoleon always took with him for the inspection of various localities, and for the sake of consultation generally. I remember there was one--Davoust--nearly always with him--a big man with spectacles. They used to argue and quarrel sometimes. Once they were in the Emperor’s study together--just those two and myself--I was unobserved--and they argued, and the Emperor seemed to be agreeing to something under protest. Suddenly his eye fell on me and an idea seemed to flash across him.
Aglaya merely glanced at the portrait--frowned, and put out her underlip; then went and sat down on the sofa with folded hands. Mrs. Epanchin rang the bell.
Suddenly, a quarter of an hour after the prince’s departure, Aglaya had rushed out of her room in such a hurry that she had not even wiped her eyes, which were full of tears. She came back because Colia had brought a hedgehog. Everybody came in to see the hedgehog. In answer to their questions Colia explained that the hedgehog was not his, and that he had left another boy, Kostia Lebedeff, waiting for him outside. Kostia was too shy to come in, because he was carrying a hatchet; they had bought the hedgehog and the hatchet from a peasant whom they had met on the road. He had offered to sell them the hedgehog, and they had paid fifty copecks for it; and the hatchet had so taken their fancy that they had made up their minds to buy it of their own accord. On hearing this, Aglaya urged Colia to sell her the hedgehog; she even called him “dear Colia,” in trying to coax him. He refused for a long time, but at last he could hold out no more, and went to fetch Kostia Lebedeff. The latter appeared, carrying his hatchet, and covered with confusion. Then it came out that the hedgehog was not theirs, but the property of a schoolmate, one Petroff, who had given them some money to buy Schlosser’s History for him, from another schoolfellow who at that moment was driven to raising money by the sale of his books. Colia and Kostia were about to make this purchase for their friend when chance brought the hedgehog to their notice, and they had succumbed to the temptation of buying it. They were now taking Petroff the hedgehog and hatchet which they had bought with his money, instead of Schlosser’s History. But Aglaya so entreated them that at last they consented to sell her the hedgehog. As soon as she had got possession of it, she put it in a wicker basket with Colia’s help, and covered it with a napkin. Then she said to Colia: “Go and take this hedgehog to the prince from me, and ask him to accept it as a token of my profound respect.” Colia joyfully promised to do the errand, but he demanded explanations. “What does the hedgehog mean? What is the meaning of such a present?” Aglaya replied that it was none of his business. “I am sure that there is some allegory about it,” Colia persisted. Aglaya grew angry, and called him “a silly boy.” “If I did not respect all women in your person,” replied Colia, “and if my own principles would permit it, I would soon prove to you, that I know how to answer such an insult!” But, in the end, Colia went off with the hedgehog in great delight, followed by Kostia Lebedeff. Aglaya’s annoyance was soon over, and seeing that Colia was swinging the hedgehog’s basket violently to and fro, she called out to him from the verandah, as if they had never quarrelled: “Colia, dear, please take care not to drop him!” Colia appeared to have no grudge against her, either, for he stopped, and answered most cordially: “No, I will not drop him! Don’t be afraid, Aglaya Ivanovna!” After which he went on his way. Aglaya burst out laughing and ran up to her room, highly delighted. Her good spirits lasted the whole day.