It never struck him that all this refined simplicity and nobility and wit and personal dignity might possibly be no more than an exquisite artistic polish. The majority of the guests--who were somewhat empty-headed, after all, in spite of their aristocratic bearing--never guessed, in their self-satisfied composure, that much of their superiority was mere veneer, which indeed they had adopted unconsciously and by inheritance.

Gania gazed after him uneasily, but said nothing.

“Oh--I didn’t like to disturb you, prince, in the midst of your private and doubtless most interesting personal reflections. Besides, I wanted to appear, myself, to have found nothing. I took the purse, and opened it, and counted the money, and shut it and put it down again under the chair.”

“Then you must see that he is not responsible. What does it matter to you now, in any case? What are you hoping for still? If you _have_ a hope left, it is that your suffering air may soften her heart towards you.”

“That’s me, I suppose. I’m the shameless creature!” cried Nastasia Philipovna, with amused indifference. “Dear me, and I came--like a fool, as I am--to invite them over to my house for the evening! Look how your sister treats me, Gavrila Ardalionovitch.”

“Oh, I heard that much, my dear fellow! But the thing is so impossibly absurd! A man of property like Evgenie to give IOU’s to a money-lender, and to be worried about them! It is ridiculous. Besides, he cannot possibly be on such intimate terms with Nastasia Philipovna as she gave us to understand; that’s the principal part of the mystery! He has given me his word that he knows nothing whatever about the matter, and of course I believe him. Well, the question is, my dear prince, do you know anything about it? Has any sort of suspicion of the meaning of it come across you?”

But at this moment he saw, seated before him, Nastasia Philipovna. He had not dreamed of meeting her here, evidently, for her appearance produced a marvellous effect upon him. He grew pale, and his lips became actually blue.

“Thank God--thank God!” said Lizabetha Prokofievna to herself, without quite knowing why she felt so relieved.

“There’s the deuce and all going on there!” he said. “First of all about the row last night, and I think there must be something new as well, though I didn’t like to ask. Not a word about _you_, prince, the whole time! The most interesting fact was that Aglaya had been quarrelling with her people about Gania. Colia did not know any details, except that it had been a terrible quarrel! Also Evgenie Pavlovitch had called, and met with an excellent reception all round. And another curious thing: Mrs. Epanchin was so angry that she called Varia to her--Varia was talking to the girls--and turned her out of the house ‘once for all’ she said. I heard it from Varia herself--Mrs. Epanchin was quite polite, but firm; and when Varia said good-bye to the girls, she told them nothing about it, and they didn’t know they were saying goodbye for the last time. I’m sorry for Varia, and for Gania too; he isn’t half a bad fellow, in spite of his faults, and I shall never forgive myself for not liking him before! I don’t know whether I ought to continue to go to the Epanchins’ now,” concluded Colia--“I like to be quite independent of others, and of other people’s quarrels if I can; but I must think over it.”

“There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!”

The prince who, up to yesterday, would not have believed that he could even dream of such an impossible scene as this, stood and listened and looked on, and felt as though he had long foreseen it all. The most fantastic dream seemed suddenly to have been metamorphosed into the most vivid reality.

“I know that the earliest Christian faith taught that the Saviour suffered actually and not figuratively, and that nature was allowed her own way even while His body was on the cross.

“Oh, make a sacrifice of yourself! That sort of thing becomes you well, you know. Why not do it? And don’t call me ‘Aglaya’; you have done it several times lately. You are bound, it is your _duty_ to ‘raise’ her; you must go off somewhere again to soothe and pacify her. Why, you love her, you know!”

“Why should I? I’ve given you the message.--Goodbye!”

“Why so? why so? Because I envy you, eh? You always think that, I know. But do you know why I am saying all this? Look here! I must have some more champagne--pour me out some, Keller, will you?”

“I knew you would be at that hotel,” he continued, just as men sometimes commence a serious conversation by discussing any outside subject before leading up to the main point. “As I entered the passage it struck me that perhaps you were sitting and waiting for me, just as I was waiting for you. Have you been to the old lady at Ismailofsky barracks?”

It struck him that the idea of the duel might not have occurred to Keller alone, but that his lesson in the art of pistol-loading might have been not altogether accidental! “Pooh! nonsense!” he said to himself, struck by another thought, of a sudden. “Why, she was immensely surprised to find me there on the verandah, and laughed and talked about _tea!_ And yet she had this little note in her hand, therefore she must have known that I was sitting there. So why was she surprised? Ha, ha, ha!”

“Oh, you get those ideas out of novels, you know. Times are changed now, dear prince; the world sees things as they really are. That’s all nonsense. Besides, how can you marry? You need a nurse, not a wife.”

Before entering he stopped on the threshold, raised his hand as if making a solemn vow, and cried:

“What on earth is she afraid of, then? Tell me plainly, without any more beating about the bush,” said the prince, exasperated by the other’s mysterious grimaces.